ALICE COOPER

Product Code: SPV 90602 CD Ltd.

€ 5.90
Price in bonus-scraps: 59

Description

The 25th full-length album by the legendary American Shock Rock/Hard Rock/Glam Metal singer.
Cooper's highest-charting album in the US since "Hey Stoopid" in 1991.
Throughout his long career, Alice Cooper has taken full advantage of how concept albums allow for more ambitious songwriting and memorable, layered characters who get more than one song to tell their stories. They're always tortured stories with social outcasts rebelling against turbulent childhoods or other traumatic whatnot, but this time the stakes are much higher. The storyline for the album was first revealed on Cooper's radio show "Nights with Alice Cooper". The theme of the album revolves around a "cool, calm and collected" serial killer known as Spider. The police are baffled by the bodies of Spider's victims, which are cocooned in a silk web, and are each missing a leg. Spider's task is to collect eight legs in order to complete the construction of his own spider. However, things get complicated when he falls in love with his eighth victim.
While the casual fan will feel that some of the less gripping songs are just here to move the story along, fanatics will gush as Alice once again acts as host and narrator and revives the character Steven, the young boy who broke all his toys on Nightmare. With a serial killer as lead and titles like "(In Touch With) Your Feminine Side" and "The One That Got Away", Alice fills his lyrics with clever and gruesome wordplay, but the winner here is the only plausible single, "Wake the Dead", which shockingly and shamelessly borrows the bassline from the Chemical Brothers' "Let Forever Be".
Guitarist Slash, Kiss drummer Eric Singer and background vocalist extraordinaire Bernard Fowler all make appearances, while Renaissance man Danny Saber handles the production with co-producer Greg Hampton, which appropriately sounds soundtrack big.
An easy recommendation for fan club members and/or serial killers!
Nightmare Inc./Steamhammer/SPV, 2008 (SPV 90602 CD Ltd.). Used: good.

Tracklist:
1. Prologue / I Know Where You Live 4:22
2. Vengeance Is Mine 4:26
3. Wake The Dead 3:54
4. Catch Me If You Can 3:16
5. (In Touch With) Your Feminine Side 3:16
6. Wrapped In Silk 4:17
7. Killed By Love 3:34
8. I'm Hungry 3:58
9. The One That Got Away 3:21
10. Salvation 4:36
11. I Am The Spider / Epilogue 5:21
Total playing time: 44:21

ALICE COOPER "Along Came A Spider" /CD/

Used: good. ..

€ 5.90

Product Code: ARMCD524

€ 12.90
Price in bonus-scraps: 129

Description

The fourth re-release of the twenty-second full-length studio album by legendary American Shock Rock/Hard Rock/Glam Metal singer.
Like "Brutal Planet", the album displays a heavier style than many of his previous releases. Unarguably a continuation of “Brutal Planet”, with Cooper and Marlette again collaborating, and Cooper surrounding himself with a tighter than tight band – Eric Dover, Tim Pierce, Ryan Roxie and Kenny Aronoff.
Cooper and Marlette, by now enjoying a collusive and confident songwriting relationship, fan that creative spark into something more substantial on "Dragontown". Here, Cooper is guided by a greater sense of social commentary and narrative complexity. He torques up the tension on funereal elegy, "Deeper" and laces "Sex, Death & Money"’s morality tale with dark humour. "Somewhere In The Jungle" and "I Just Wanna Be God" are less about the music and more about creating a clinging, dream-like atmosphere, where the message is hammered home by heavyweight guitars and pounding beats. This time around, a couple of more commercial (or at least accessible) tracks are to be found among the grim tales of alienation and materialism. "Triggerman" keeps a foothold in Cooper’s big chorus, big hook past, and the endearing ballad, "Every Woman Has A Name" add greater musical and emotional range to "Dragontown", providing radio with an opportunity to play Cooper’s new music, without compromising anyone’s position.
The album peaked on Billboard's Top Independent Albums Chart at #12, and the Billboard 200 at #197. This is the first Alice Cooper studio album to contain no Singles.
Armoury Records/Eagle Rock Entertainment Ltd., 2001/2010 (ARMCD524 GAS 0000524 AMY). Made in Germany.

Tracklist:
1. Triggerman 3:58
2. Deeper 4:34
3. Dragontown 5:04
4. Sex, Death And Money 3:37
5. Fantasy Man 4:05
6. Somewhere In The Jungle 5:20
7. Disgraceland 3:32
8. Sister Sara 4:33
9. Every Woman Has A Name 3:43
10. I Just Wanna Be God 3:51
11. It's Much Too Late 4:38
12. The Sentinel 3:53
Total playing time: 50:48 min.

ALICE COOPER "Dragontown" /CD/

The fourth re-release of the twenty-second full-length studio album by legendary American Shock Rock/Hard Rock/Glam Metal singer. Like "Brutal Planet", the album displays a heavier style than many of his previous releases. Unarguably a continuation of “Brutal Planet”, with Coo..

€ 12.90

ALICE COOPER "Logo" /Patch/

Embroidered bordered woven patch. 55x75mm ..

€ 0.90

ALICE COOPER "Poison" /12" Maxi Single/

Used (cover/disc): EX/EX ..

€ 15.90

ALICE COOPER "Trash" /CD/

The eighteenth full-length studio album by the legendary American Hard Rock/Glam Metal singer and his band. “Trash” became one of Cooper's biggest albums, featuring "Poison", Cooper's first top ten hit since his Single "You And Me" in 1977. A successful year-..

€ 14.90

ALICE COOPER "Trash" /CD/

Used (cover/disc): NM/NM ..

RARITY

€ 19.90

ALICE COOPER “Alice Cooper's Greatest Hits” /LP/

ALICE COOPER “Alice Cooper's Greatest Hits” /LP/

Re-release of the greatest hits album album by the legendary American Psychedelic/Hard Rock band. The only greatest hits album by Alice Cooper as a band, as well as their last release. Originally released in 1974, it features hit songs from five of the band's seven studio albums - from their th..

€ 24.90

ALICE COOPER “Classicks” /A5 Cardboard CD/

ALICE COOPER “Classicks” /A5 Cardboard CD/

The first re-release of the Greatest Hits compilation album by legendary American Shock Rock/Hard Rock/Glam Metal singer. The release was to mark the end of Cooper's record contract with Epic Records, which has spanned three studio albums. Alice suggested its title. Compilation includes rare B..

€ 7.90

ALICE COOPER “Constrictor” /CD/

The sixteenth full-length album by the legendary American Shock Rock/Hard Rock/Glam Metal singer. Comeback album of musician who brought new sounds and won new younger audience of Shock Rock fans. The album returned Cooper to the chats hitting on the 59th position of 200 and a subsequent tour "..

€ 9.90

ALICE COOPER “Constrictor” /LP/

Used (cover/disc): EX+/EX+. ..

RARITY

€ 34.90

ALICE COOPER “Dirty Diamonds” /A5 Cardboard CD/

ALICE COOPER “Dirty Diamonds” /A5 Cardboard CD/

The first re-release of the twenty-fourth full-length studio album by legendary American Classic Rock/Hard Rock singer. After the return to the Garage Rock feel of "The Eyes Of Alice Cooper" Alice continued down the same road with "Dirty Diamonds". However, this is generally a m..

€ 7.90

ALICE COOPER “Dragontown” /A5 Cardboard CD/

Product Code: 8869745570213

€ 7.90
Price in bonus-scraps: 79

Description

The third re-release of the twenty-second full-length studio album by legendary American Shock Rock/Hard Rock/Glam Metal singer.
Like "Brutal Planet", the album displays a heavier style than many of his previous releases. Unarguably a continuation of “Brutal Planet”, with Cooper and Marlette again collaborating, and Cooper surrounding himself with a tighter than tight band – Eric Dover, Tim Pierce, Ryan Roxie and Kenny Aronoff.
Cooper and Marlette, by now enjoying a collusive and confident songwriting relationship, fan that creative spark into something more substantial on "Dragontown". Here, Cooper is guided by a greater sense of social commentary and narrative complexity. He torques up the tension on funereal elegy, "Deeper" and laces "Sex, Death & Money"’s morality tale with dark humour. "Somewhere In The Jungle" and "I Just Wanna Be God" are less about the music and more about creating a clinging, dream-like atmosphere, where the message is hammered home by heavyweight guitars and pounding beats. This time around, a couple of more commercial (or at least accessible) tracks are to be found among the grim tales of alienation and materialism. "Triggerman" keeps a foothold in Cooper’s big chorus, big hook past, and the endearing ballad, "Every Woman Has A Name" add greater musical and emotional range to "Dragontown", providing radio with an opportunity to play Cooper’s new music, without compromising anyone’s position.
The album peaked on Billboard's Top Independent Albums Chart at #12, and the Billboard 200 at #197. This is the first Alice Cooper studio album to contain no Singles.
Eagle Records, Division of Eagle Rock Entertainment Plc./Sony Music Entertainment Czech Republic s.r.o., 2001/2009 (8869745570213). Made in Czech.

Tracklist:
1. Triggerman 3:58
2. Deeper 4:34
3. Dragontown 5:04
4. Sex, Death And Money 3:37
5. Fantasy Man 4:05
6. Somewhere In The Jungle 5:20
7. Disgraceland 3:32
8. Sister Sara 4:33
9. Every Woman Has A Name 3:43
10. I Just Wanna Be God 3:51
11. It's Much Too Late 4:38
12. The Sentinel 3:53
Total playing time: 50:48 min.

ALICE COOPER “Dragontown” /A5 Cardboard CD/

The third re-release of the twenty-second full-length studio album by legendary American Shock Rock/Hard Rock/Glam Metal singer. Like "Brutal Planet", the album displays a heavier style than many of his previous releases. Unarguably a continuation of “Brutal Planet”, with Coop..

€ 7.90

ALICE COOPER “Flush The Fashion” /Ltd. LP/

Product Code: 603497860753

€ 29.90
Price in bonus-scraps: 299

Description

First re-release of the twelfth full-length studio album by legendary American New Wave/Pop Rock singer.
Musically, the album was a drastic change of style for Cooper, leaning towards a New Wave influence. After several self-indulgent albums in the late '70s ("Lace And Whiskey", "From The Inside"), Alice Cooper decided to reinvent himself as a New Waver for 1980's "Flush The Fashion". As a result of a hooking up with Cars' producer Roy Thomas Baker, the sound is glossier; Baker also replaced the gritty guitar riffs that served as the basis for past Cooper Rock compositions with icy synthesizers. Alice wrote most of these songs in conjunction with Elton John's longtime guitarist, Davey Johnstone, and his future keyboardist, Fred Mandel. This unusual combination results in an album that can best be described as The Best of The Cars sung by Alice Cooper (with just a dose of Huey Lewis & The News). As distinctly dissimilar from Alice's past work as such a thing sounds, the formula pays off for the first half of the album; the jangly guitars and prominent synth lines of "Talk Talk" and "Clones (We're All)" suggest that Alice could have a future here. His vocals might be unusually clean and the songs might be surprisingly friendly, but Alice is a true chameleon; he wears many colors and he wears them well, for the most part.
His classic Gothic Horror image of the 70's was replaced with stripped-down clothes, an uncomfortably clean-cut Alice Cooper sporting fully-tamed hair, a noticeable absence of makeup, and a lot less Alice than we're used to seeing.
1980 was not a good year for Alice, as evidenced by his corpse-like stare and fractured sense of self. He had no real band to speak of, and was fighting a losing battle with his career; the strong themes of missing identity in these songs offer insight into his mindset. It was a start of Cooper's "Blackout albums". It was around this time that Cooper relapsed into alcoholism, and his subsequent early-'80s releases ("Special Forces", "Zipper Catches Skin", "Dada") became more unpredictable and more uncharacteristic of the expected Alice Cooper direction and sound.
As an Alice Cooper album, "Flush The Fashion" makes no sense whatsoever. As an artifact of the New Wave tide that rose to prominence around that time, it sounds very dated, but not altogether kitschy; reasonably old-fashioned, but not drowned by being shackled to a fleeting point in time. A few gems like "Pain" still have charm, and after some time to assimilate it, the album isn't all that bad.
The best-known song of the album ended up being the cover "Clones (We're All)", which was in turn covered by the Smashing Pumpkins for their 1995 box set "The Aeroplane Flies High". Other highlights include the stately sounds of "Pain", the brief album-opening "Talk Talk", and one of the album's few riff Rockers, "Grim Facts".
The lead single "Clones (We're All)" peaked at No. 40 on the U.S. Billboard Top 40.
"Flush The Fashion", for its occasional successes, runs out of life quickly and, likely because of his questionable involvement, poorly captures Alice's true spirit and personality. It stands more as a forgotten point of interest that hardcore fans might find appealing than anything else.
Limited Edition Green Swirl Vinyl.
Warner Bros. Records Inc./Rhino Entertainment Company, a Warner Music Group Company, 1980/2018 (603497860753). Made in EU.

Tracklist:

Side One
1. Talk Talk (The Music Machine cover) 2:08
2. Clones (We're All) 3:04
3. Pain 4:06
4. Leather Boots 1:38
5. Aspirin Damage 2:56

Side Two
1. Nuclear Infected 2:15
2. Grim Facts 3:25
3. Model Citizen 2:39
4. Dance Yourself To Death 3:09
5. Headlines 3:18

Total playing time: 28:33 min.

ALICE COOPER “Flush The Fashion” /Ltd. LP/

First re-release of the twelfth full-length studio album by legendary American New Wave/Pop Rock singer. Musically, the album was a drastic change of style for Cooper, leaning towards a New Wave influence. After several self-indulgent albums in the late '70s ("Lace And Whiskey", "..

€ 29.90

ALICE COOPER “Hey Stoopid” /A5 Cardboard CD/

Product Code: 8869745570227

€ 9.90
Price in bonus-scraps: 99

Description

The first re-release of the nineteenth full-length studio album by the legendary American Shock Rock/Hard Rock/Glam Metal singer.
The 80s had been a bad time for Alice Cooper. Nondescript albums and failed attempts at flirting with other musical tendencies had left the Shock King dangerously close to losing most of the fan base he had garnered in the 70s. Even the perfectly decent albums, like 1985’s "Constrictor", failed to convince or impress the fans, who longed for the halcyon days of "Killer". A comeback of sorts was made with 1988’s "Trash", an album that showed Alice revitalized and updated for the new decade, and flirting with the “in” sounds of the late 80s, namely Glam Rock. In view of that album’s acceptance and success, the exact same template was used for "Trash"’s follow-up, 1991s "Hey Stoopid". The results were, again, above average, even if this album is not as highly regarded as its predecessor.
For "Hey Stoopid", Alice takes his cues from what was still popular at the time: the vibrant, gushy, shiny Hard Rock of bands like Poison, Warrant or Firehouse. It comes as no surprise, then, that "Burning Our Bed" comes across as something Guns’n’Roses may have written at the time, or that the overall sound relies heavily on the huge crunchy riffs, sweeping keyboards and shouty backing vocals of Glam Rock, while endowing them with an extra dosage of class.
Experienced artist and master songwriter that he is, Alice surrounds himself with the cream of the Hard Rock crop this time around. His “regular” band consists of guitarist Stef Burns, bassist Hugh McDonald, drummer Mickey Curry and keyboardists Robert Bailey and John Webster. However, the album is absolutely littered with guest appearances, including: Slash, Joe Satriani, Vinnie Moore and Steve Vai, Motley Crue’s Nikki Sixx and Mick Mars (who co-wrote “Die For You”), plus Ozzy Osbourne providing backing vocals on the album’s title track. Elvira, Mistress of the Dark, provided the spoken word part on “Feed My Frankenstein”, a song co-written by Zodiac Mindwarp.
The album was produced by Peter Collins, famed for his work with Rush and Queensyrche, among many others. The album featured three hit singles: the title track, “Love’s A Loaded Gun” and “Feed My Frankenstein” (the latter was performed in the 1992 comedy film "Wayne’s World", in which Alice also starred).
"Hey Stoopid" is heavily recommended to not only Alice fans, but Hard Rockers in general.
Sony Music Entertainment Inc./Epic/Sony Music Entertainment Czech Republic s.r.o., 1991/2009 (8869745570227). Made in Czech.

Tracklist:
1. Hey Stoopid 4:34
2. Love's A Loaded Gun 4:11
3. Snakebite 4:33
4. Burning Our Bed 4:34
5. Dangerous Tonight 4:41
6. Might As Well Be On Mars 7:09
7. Feed My Frankenstein 4:44
8. Hurricane Years 3:58
9. Little By Little 4:35
10. Die For You 4:16
11. Dirty Dreams 3:29
12. Wind-Up Toy 5:27
Total playing time: 56:11 min.

ALICE COOPER “Hey Stoopid” /A5 Cardboard CD/

The first re-release of the nineteenth full-length studio album by the legendary American Shock Rock/Hard Rock/Glam Metal singer. The 80s had been a bad time for Alice Cooper. Nondescript albums and failed attempts at flirting with other musical tendencies had left the Shock King dangerously close ..

€ 9.90

Product Code: EPC 468416 2

€ 12.90
Price in bonus-scraps: 129

Description

The nineteenth full-length studio album by the legendary American Shock Rock/Hard Rock/Glam Metal singer.
The 80s had been a bad time for Alice Cooper. Nondescript albums and failed attempts at flirting with other musical tendencies had left the Shock King dangerously close to losing most of the fanbase he had garnered in the 70s. Even the perfectly decent albums, like 1985’s "Constrictor", failed to convince or impress the fans, who longed for the halcyon days of "Killer". A comeback of sorts was made with 1988’s "Trash", an album that showed Alice revitalized and updated for the new decade, and flirting with the “in” sounds of the late 80s, namely Glam Rock. In view of that album’s acceptance and success, the exact same template was used for "Trash"’s follow-up, 1990s "Hey Stoopid". The results were, again, above average, even if this album is not as highly regarded as its predecessor.
For "Hey Stoopid", Alice takes his cues from what was still popular at the time: the vibrant, gushy, shiny Hard Rock of bands like Poison, Warrant or Firehouse. It comes as no surprise, then, that "Burning Our Bed" comes across as something Guns’n’Roses may have written at the time, or that the overall sound relies heavily on the huge crunchy riffs, sweeping keyboards and shouty backing vocals of Glam Rock, while endowing them with an extra dosage of class.
Experienced artist and master songwriter that he is, Alice surrounds himself with the cream of the Hard Rock crop this time around. His “regular” band consists of guitarist Stef Burns, bassist Hugh McDonald, drummer Mickey Curry and keyboardists Robert Bailey and John Webster. However, the album is absolutely littered with guest appearances, including: Slash, Joe Satriani, Vinnie Moore and Steve Vai, Motley Crue’s Nikki Sixx and Mick Mars (who co-wrote “Die For You”), plus Ozzy Osbourne providing backing vocals on the album’s title track. Elvira, Mistress of the Dark, provided the spoken word part on “Feed My Frankenstein”, a song co-written by Zodiac Mindwarp.
The album was produced by Peter Collins, famed for his work with Rush and Queensyrche, among many others. The album featured three hit singles: the title track, “Love’s A Loaded Gun” and “Feed My Frankenstein” (the latter was performed in the 1992 comedy film "Wayne’s World", in which Alice also starred).
"Hey Stoopid" is heavily recommended to not only Alice fans, but Hard Rockers in general.
CD features fold-out Alice Cooper cover-poster!
Sony Music Entertainment Inc./Epic, 1991 (EPC 468416 2). Made in Austria.

Tracklist:
1. Hey Stoopid 4:34
2. Love's A Loaded Gun 4:11
3. Snakebite 4:33
4. Burning Our Bed 4:34
5. Dangerous Tonight 4:41
6. Might As Well Be On Mars 7:09
7. Feed My Frankenstein 4:44
8. Hurricane Years 3:58
9. Little By Little 4:35
10. Die For You 4:16
11. Dirty Dreams 3:29
12. Wind-Up Toy 5:27
Total playing time: 56:11 min.

ALICE COOPER “Hey Stoopid” /CD/

The nineteenth full-length studio album by the legendary American Shock Rock/Hard Rock/Glam Metal singer. The 80s had been a bad time for Alice Cooper. Nondescript albums and failed attempts at flirting with other musical tendencies had left the Shock King dangerously close to losing most of the fa..

€ 12.90

Product Code: MOVLP1863

€ 34.90
Price in bonus-scraps: 349

Description

First European re-release of the nineteenth full-length studio album by the legendary American Shock Rock/Hard Rock/Glam Metal singer.
The 80s had been a bad time for Alice Cooper. Nondescript albums and failed attempts at flirting with other musical tendencies had left the Shock King dangerously close to losing most of the fanbase he had garnered in the 70s. Even the perfectly decent albums, like 1985’s "Constrictor", failed to convince or impress the fans, who longed for the halcyon days of "Killer". A comeback of sorts was made with 1988’s "Trash", an album that showed Alice revitalized and updated for the new decade, and flirting with the “in” sounds of the late 80s, namely Glam Rock. In view of that album’s acceptance and success, the exact same template was used for "Trash"’s follow-up, 1991s "Hey Stoopid". The results were, again, above average, even if this album is not as highly regarded as its predecessor.
For "Hey Stoopid", Alice takes his cues from what was still popular at the time: the vibrant, gushy, shiny Hard Rock of bands like Poison, Warrant or Firehouse. It comes as no surprise, then, that "Burning Our Bed" comes across as something Guns’n’Roses may have written at the time, or that the overall sound relies heavily on the huge crunchy riffs, sweeping keyboards and shouty backing vocals of Glam Rock, while endowing them with an extra dosage of class.
Experienced artist and master songwriter that he is, Alice surrounds himself with the cream of the Hard Rock crop this time around. His “regular” band consists of guitarist Stef Burns, bassist Hugh McDonald, drummer Mickey Curry and keyboardists Robert Bailey and John Webster. However, the album is absolutely littered with guest appearances, including: Slash, Joe Satriani, Vinnie Moore and Steve Vai, Motley Crue’s Nikki Sixx and Mick Mars (who co-wrote “Die For You”), plus Ozzy Osbourne providing backing vocals on the album’s title track. Elvira, Mistress of the Dark, provided the spoken word part on “Feed My Frankenstein”, a song co-written by Zodiac Mindwarp.
The album was produced by Peter Collins, famed for his work with Rush and Queensyrche, among many others. The album featured three hit singles: the title track, “Love’s A Loaded Gun” and “Feed My Frankenstein” (the latter was performed in the 1992 comedy film "Wayne’s World", in which Alice also starred).
"Hey Stoopid" is heavily recommended to not only Alice fans, but Hard Rockers in general.
180 gram audiophile vinyl.
Epic Records, a division of Sony Music Entertainment Inc./Music On Vinyl, 1991/2017 (MOVLP1863). Made in Netherlands.

Tracklist:

Side One
1. Hey Stoopid 4:29
2. Love's A Loaded Gun 4:11
3. Snakebite 4:33
4. Burning Our Bed 4:31
5. Dangerous Tonight 4:41
6. Might As Well Be On Mars 7:08

Side Two
1. Feed My Frankenstein 4:46
2. Hurricane Years 3:58
3. Little By Little 4:35
4. Die For You 4:16
5. Dirty Dreams 3:29
6. Wind-Up Toy 5:28

Total playing time: 56:09 min.

ALICE COOPER “Hey Stoopid” /LP/

First European re-release of the nineteenth full-length studio album by the legendary American Shock Rock/Hard Rock/Glam Metal singer. The 80s had been a bad time for Alice Cooper. Nondescript albums and failed attempts at flirting with other musical tendencies had left the Shock King dangerously c..

€ 34.90

ALICE COOPER “It’s Me” /CD/

Another compilation album by legendary American Shock Rock/Hard Rock/Glam Metal singer. Vincent Furnier (Alice Cooper's real name) starts an Arizona garage Rock band called the Spiders through some credible, Fuzzed-out Yardbirds-styled Rock & Roll. Later the Spiders transform into Nazz, the..

€ 10.90

ALICE COOPER “Killer” /CD/

The fourth full-length studio album by the legendary American Psychedelic/Hard Rock band. Following up the breakthrough success of "Love It to Death", Alice Cooper back with another album released the same year, producer again by Bob Ezrin. The band's stage show dealt with the macabr..

€ 11.90

ALICE COOPER “Killer” /GLP/

The fourth full-length studio album by the legendary American Psychedelic/Hard Rock band. Following up the breakthrough success of "Love It to Death", Alice Cooper back with another album released the same year, producer again by Bob Ezrin. The band's stage show dealt with the macabr..

€ 24.90

ALICE COOPER “Original Album Series (Volume Two)” /Slipcase 5CD Set/

ALICE COOPER “Original Album Series (Volume Two)” /Slipcase 5CD Set/

Re-release of the five classic studio albums, in one set, by the legendary American Shock Rock/Hard Rock/Glam Rock singer and his band. Includes the following albums: "Billiion Dollar Babies", "Muscle Of Love", "Welcome To My Nightmare", "Alice Cooper Goes To Hell..

€ 22.90